We returned to the airwaves and streams with our 2020 review show. 2020 was a horrible year, but some good music that came out during that time. We started with some EBM and industrial tracks. That was followed with a set of darkwave and sythpop tracks. Then we heard a set of post-punk, goth, and deathrock tracks, and we wrapped things up with some ambient and shoegaze tracks.
We began our 2020 holiday show with a set in honor of the new hero of the holiday season, Krampus. That was followed with a set of post-punk tracks in honor of Winter Solstice. We followed that with a set of dark and twisted Christmas songs. Then we had a much more solemn set of songs. The midnight block was split between a set of quarantine/Covid19 Christmas songs—yes, that’s a thing!—and songs about New Year’s Eve. Then we put a bow on the show with a mix of festive songs. We hope your holiday season is as good as it can be in this stupid plague year.
This abbreviated episode began with a new Cevin key track and a set of new darkwave and post-punk tracks. The second block was a set of post-punk that feel cold and rainy to me. The third block was a set of experimental and noisy tracks. Then we finished the show with a set of tracks themed around the month of December, cold, winter, etc.
We opened this show with a set about our current situation. The two blocks after that were a mix of industrial, EBM, darkwave, and post-punk. Then we had a set with a bit of hard industrial and synthpop, and a couple of tracks in honor of Bjork’s birthday. We played a set of industrialized techno at midnight, and closed with a set of shoegaze tracks.
We returned to the studio for the first since the beginning of March, and chaos ensued. We were joined by Danny from KUHS-LP’s new show Outrage Radio (and a new Finally Friday co-host). We began the show with a set of industrial tracks. We followed that up with a block of EBM, old and new. Then we played a set of noise rock. The fourth set was a mix of synthpop, darkwave, and post-punk. The fifth set was some autumn-themed experimental tracks, and we closed the show with a mix of comfy synth, experimental, and ambient.
We began the episode with a two sets of tracks that were a mix of industrial, EBM, deathrock, and post-punk in response to the upcoming election. The next two hours were selections Operator OT picked for his sets in Club Nevermore’s Tracks & Treats event on Halloween night, which featured a mix of industrial, EBM, deathrock, post-punk, punk rock, and more.
Here’s our 2020 dark ambien(t) and atmospheric special. We began the show with a set of new dark ambient tracks, which was followed with a couple of block of dark ambient and atmospheric tracks. We played a set of morbid death industrial tracks at midnight, then we closed with a somewhat more soothing set.
We began this episode with a set relevant to our current situation. That was followed with a set of industrial tracks. We followed that with a set of tracks that make me (Operator OT) think of fall, but aren’t themed around or about the season. That was followed with a set of dark punk and deathrock tracks. We played a set of fairly recent darkwave tracks at midnight, and wrapped up with a set of shoegaze and ambient tracks.
(This show was intended to air on September 20, 2020 but due to some car issues it had to be postponed by a week.)
We started this show with some batch of sort-of timely industrial, post-punk, and hardcore punk tracks. That was followed with Operator OT’s sets from the Club Nevermore livestream on September 12, which were mixes of post-punk, goth, darkwave, and industrial. We followed that with a set of piping-hot industrial tracks. The last hour of the show was a mix of autumn-themed post-punk and ambient tracks in honor of fall equinox.