We began this show with a set of new industrial, post-punk, and EBM tracks. Then we played a set of post-punk and darkwave tracks. The following four sets had darkwave, post-punk, goth, shoegaze, weird and dark folk, experimental, etc. tracks with a fall/autumn theme, because this show aired on the day after the Fall Equinox.
We started this show with some new post-punk and darkwave tracks. The second block was a set of moody post-punk songs. The third block was a set of noisy and dirty industrial and power electronics. The fourth and fifth blocks were a mix of goth, industrial, darkwave, post-punk, synthwave, etc. tracks that I played in my DJ sets at the Club Nevermore event on September 9th. And we finished up the show with a set of shoegaze and experimental tracks.
We kicked this show off with some brand new post-punk, synthpunk, etc. tracks. The second set was mostly new industrial tracks, including what was going to be an exclusive premier of a new Zwaremachine track, but alas, didn’t happen because of a recent illness. (And RIP Zwaremachine’s Dein Offizier.) The third block of the show was a set of synthpop-leaning songs. The fourth set was goth, deathrock, and post-punk songs. The fifth block saw us revisit the set of songs followed by a band/artist who named themselves after the previous one. And we wrapped up the show with some ambient, etc.
We started this show with some new industrial and synthwave tracks. We followed that with a set themed around heatwaves and summertime, because we’ve been broiled under a heatwave recently. The three sets that after that featured songs which were followed by an aritst who took their name from the previous song. Then we wound things down with experimental and ambient tracks.
We’re back after a few weeks off! We warmed up with some fresh new tracks. Then Operator OT got a bit lazy and played the tracks that were in his DJ sets at the last Club Nevermore, plus a few extras to pad it out. Then we closed with a mix of shoegaze, experimental, comfy synth, and ambient tracks.
We began this show with a set of brand new songs. Our friend Dianne joined us and we played sets of industrial, goth, darkwave, post-punk, etc., with an underlying theme of America and patriotism, because this was near the Fourth of July. Then we finished the show with a set of experimental and shoegaze songs.
We played some new post-punk, goth, and darkwave tracks in the first set. The second set went heavy on new industrial tracks. We followed that with a set of goth tracks. Then we played some synthpop songs. We played a set of post-punk tracks in the fifth block, then we finished the show with some psychedelic dirge and shoegaze tracks.
We started this show with some brand new tracks that debuted on the show. The rest of the show had a theme of summertime, beaches, etc., because Summer Solstice is coming up this Wednesday. We began with a set of goth and post-punk tracks, then there was a block of of industrial and synthwave tracks. That was followed with a set of noisy tracks, then we got experimental in the midnight block, and we wound things down with a set of shoegaze and ambient songs with a summer theme.
We started this show with some fresh new industrial, goth, and darkwave songs. Then we played a set of synthpop and minimal wave tracks, including some requested ones (thanks, Amanda!). We followed that with a set of goth, darkwave, and synthwave with a vague underlying summer theme. That was followed with some goth and darkwave tracks from around the world. The fifth block was a set of psychedelic-leaning post-punk, and we finished the show with a set of shoegaze tracks.
This is our 2023 World Goth Day Show, with an emphasis on world because we played goth, darkwave, post-punk, deathrock, etc. bands from all around the world, with an emphasis on lesser-known bands and a mix of recent and older tracks. Each block of the show featured bands/artists from a specific continent. (Sorry, but we left out Antarctica because we don’t know of any bands from there.) We started with Africa, then moved on to Asia, then Australia/New Zealand, and then Europe. The North American block consisted of tracks by bands/artists from Mexico, Central America, and the Caribbean. Then we wrapped up the show with a set of bands from South America.